Translation:
To grasp the transformations of all things: like mountains, rivers, grasses, and trees, each has its natural form, yet their appearances change with the shifts of yin and yang, light and darkness, wind and rain.”

Calligrapher’s Note:

This work cites Liu Xizai’s On Fu (Rhapsody): “The heart of the rhapsodist embraces the universe.” The artist uses the form of “magical wild cursive” as a response, then juxtaposes it with Roland Barthes’s A Lover’s Discourse. The brush releases faint currents of sorrow, evoking a state of mind poised between solitude and melancholy.

藝術家筆記：

釋文：賦取窮物之變。如山川草木，雖各具本等意態，而隨時異觀，則存乎陰陽晦明風雨也。
解說：古人云：〔賦家之心，包括宇宙。〕節劉熙載之〔賦概〕，以魔幻狂草發之後，立取巴特的〔戀人絮語〕閱之（Either...），略湧愁思，心緒介乎孤獨與憂鬱之間。