"The ink-art heartthrob" Reminiscing Red Cliffs by Cursives Encounter With a Friend K Seal Scripts To Basquiat and Wang Duo The Mountain Seize Jazzrock The Fragrance of Flowers, Intoxicating West Wei Dynasty Buddhist Stele Inscription (Attr.) Wen Peng, after Mi Fu: Letter to Xu Hui Mid-Autumn Moon Misty Peaks, Returning Sails The Three Styles of Writing Endless Admiration to Lanting After Lin Bu Eight-Faced Dragon – Riding the Six Qi Clear Mountains, Fresh Breezes Amidst the Mountains Immersed in the Classics, Wandering in Dreamland Amazing Clouds Self-Chant in Four Characters Self-Chant in Wild Cursive: Couplet in Four Characters Resonant Echoes Awakened to Dust Transformation in Prague Self-Chant in Wild Cursive: Couplet in Seven Characters Wang Duo Variations IV Marks and Smudges: Charcoal Interventions Soaring Effortlessly Wild Vines Clerical Script in the Spirit of Wang Duo Tea in Motion A poem by Xu Wei Song Four Masters: Su Dongpo Meeting Picasso Song Four Masters: Mi Xiangyang (aka Mi Fu) A Written Self-Portrait Magical Wild Cursive — Beyond melancholy Enchanted Lu Shan Qi Sacred Preface by Yu-Jun(Wang Xizhi) Wind in Flow A Writing Journey From Wang Duo to Kafka Shadows in the Air "The Unbearable Lightness of Being" A Letter by Mi Fu Ode to the Tranquility Brush strokes in motion To Daozhou (Huang Daozhou) Cursive Spirit, Meeting Zhi-qian Bird-and-Insect Seal Script Multi-Fonts Bamboo Slip Memories, Recalled Again Wang Duo Variations III Collected Characters from the Japanese Hand Fan-shaped Calligraphy Piece Meeting Matisse In the Style of Yang’s Seal Script Scholarly Bonding with Ink